dead capo is a quartet that fluctuates between the classic sounds of jazz, the attitude of rock and the trepidation of surf. all of this seasoned with the cinema sounds of rota or morricone.
it has been 10 years since their debut lp, díscolo (pueblo records, 2002), made waves with the national critics. their new album is once again surprising and the band sounds as fresh as when they started their journey at the end of the 90s. sale (lovemonk, 2012) combines an extraordinary energy with passages of meticulous precision and goes from wild to calm in a way that is both unexpected yet natural. thelonius monk, cartoons, cinematic landscapes, rocks past, africa, surf and the ballad come together in an album as great as it is as unpredictable.

freeze is a darkly shining jewel that scoops its hypnotic energy from a rolling synth- sequence

fully battle-tested after a tour of duty as tigas top-secret dj weapon, consciousness fuses the energy and vitality of clouds early stadium friendly output with the ideas,craft and skill of techno veterans.

vase returns with musical prodigy koreless releasing his long awaited single lost in tokyo alongside a dancefloor readied remix from label boss jacques greene. lost in tokyo garnered hype after being featured in jamie xxs bbc radio 1 essential mix last year and soon became a crowd pleaser in the young producers infamous live shows. featuring his trademark formula of stripped back production, lush atmospherics and hypnotic vocal chops. warm synth pads glow as the signature vocal pitches dramatically build to a beautiful crescendo. on the flip man of the moment jacques greene flips the track into dancefloor territory with pounding drums and incredible energy. dj support comes from annie mac, mary anne hobbs, gilles peterson and benji b

what a joy to enjoy the house roar, the funk rejoicing and the black energy from the 90s of the first reference of this new oblack label in which their own mentors, los pastores, debut. who better than them to set the stage for a new sound platform in which, above everything else, there is no boredom and the track is greater than the one in a formula circuit.

inspired by the teachings of the earons (thats .22, .18, .33, .69 and .28 to the uninitiated, see www.earons.net for more background), a splinter group was formed earlier this year, with the express mission to bring back the message and connect it to a whole new audience. >land of hunger< is given a 2012 reconstruction from the cosmologist, a sturdy rework performed by the mysteriously concealed outfit, who identify themselves only as .40, and .44. whilst they are heavily influenced by earons beliefs on positive energy, which they seek to share, .40 + .44 are quick to point out they have no links with the earlier incarnation from 28 years ago, but felt a compelling force to unearth it once more. the universe knows when the time is right, and frankly the original broadcast was just too good to not want to fashion a 2012 edit, so a new chapter begins ...

2 tracks of deep techno inspired house from 17 yr old music enthusiast alfie. born in the village of oxted, home to a number of electronic dignitaries, alfie has been raised on a balanced diet of garage, dubstep, jungle, dnb, and hip hop which he has further infused with his personal love for old school ska and jazz. taking key elements from each of these styles alfies music is deftly relevant in your ear and on the floor. lead track uncomfortably numb is a high energy throbbing slice of techno laced deep house, with a reverberating bassline driving an almost industrial main hook, whilst layers of clinical percussion and pads snap and swirl throughout the mix. about midday punches through the enveloping gloom with an inescapable rave inspired main hook which intensifies the tracks pulsating wall of manufactured sounds. having already played at fabric aged 16 and with a number of shows pencilled for 2012, including his glade debut and eastern electrics festival, this double a-side is set to eclipse the work of a number of his more senior peers.

with no rest for the wicked boe introduces a second debut for the label in 2012 and a special double feature from a new alias of a very promising ukranian talent. the first transition by g-transition (alias brother g) is a super deep journey through the cosmos, featuring shimmering pianos, rumbling drums and a touch of dark energy thrown in the reactor.

the chant: galloping monster with a cheeky bounce thats made all the more mega with the vocal energy.plz dont squeeze: pressurised squashed sound snippets tousle across the beats leaving the synths to breathe and soar. let this untamed tune free to expand across the club systems – and what ever you do, plz dont squeeze.nebulae: dream away on this interstellar cloud of soft vocals and floating grooves that moves you progressively towards dance heaven.

australian michael ozone, currently operating out of melbourne, is an artist embodying the purest form of absurdist energy. this debut offering, is but of a fraction of the entertainment we can expect as his career zig-zags forward. perfect systems is a tuff native track based on the idea of man-made tools, technology and borrowed languages. imagine failed cities overtaken by jungle life as youre swallowed by this utopian island groove. a not-so distant relative on side-b,hetrotopia leads us on a nomadic journey, exploring vast new landscapes and uncharted territories. references to new beat and horror soundtracks are apparent, but no matter what fantasies we infer from ozones music, his talent for crafting such fiction is a welcome addition to the esp institute.

the debut release of no slow house on deephouse berlin urges to dance and bursts with energy. 3 exclusive tracks written and produced by rekardo rivalo. his afro tech-house and culture tech-grooves bring summer to your heart. if you like passionate, daring, demanding and impulsive tech-house, dont miss it! feel it, dance it!

brouqade welcomes vid! the rumanian producer makes withe the release of the exquisite nouinceput. with a heavy dose of shakers revolving around summer rhythms, nouinceput brims withe the energy and hope of a balmy summer evening and the catchy voice samples are msterfully cratfed to perfection. a fully charged energizer. a76 blazes the way. drives and propels, relentless , e-ver onward- a voice arows... you are like. whistling, vids musical self portrait sounters around the corner. estevid is an organic track of extraordinary sound and a nonchalont air!

with the first single release of beijing rock, paul brcic (paul brtschitsch) brings a driving yet emotional production into the world of electronic sounds. an unmistakable, pulsating beat reminiscent of detroit-techno, smooth percussion, and a catchy bass line make up the songs foundation, immediately casting a bewitching spell and leaving no room for detours. carefully arranged samples from the 40s mould the centrepiece of the club bangers and move in perfect harmony with the full synth and fx sounds. without a doubt, paul brcic sets off a multifaceted sound explosion with a first look at the album beijing rock, scheduled for release in autumn 2012, always keeping one eye on production-technical details and the other on organic sound. beijing rock immediately invades the senses from the first measure, taking you along a journey outside of the clubs of this world and catapulting you just as quickly back to the sweat-inducing, wild nights. absolutely magnificent - paul brcic in his purest form. the b-side acid & camambert clatters as if on rails through the fields of sound and sets off one adrenaline rush after another with its clear basslines and consistently rising networks of beats. exquisite superstructures and effect dramaturgy breathe life into acid & camambert with an unbelievable energy and nearly acidic characteristics.

next michel cleis masterpiece , this time on dj kozes pampa records... >mir a nero< begins with a steady, upbeat kick underlying a simple piano arpeggio - like if philip glass make dance music - but then some accents of vibrant hand percussion loosen up the vibe, soon progressing into rhythmic layers that cause the energy to swell. by the 4-minute mark, a subtle, buzzing synth permeates the background, contrasting the tracks overall organic feel, leading into the playful piano chords and colombian vocal hook. simply put, this is latin house with that anomalous pampa records swagger, drenched with flavor like sangria-soaked mango. flip that baby over and you get >amaranthus<, named after the famed flower that represents immortality. this piece stands as a color-negative of >mir a nero<, an unwavering stomp with just shadows of the piano sample heard earlier. freeze-dried rather than sun-ripened, >amaranthus< is a dubby, more technofied counterpart to the a-side, crafted for deeper and darker moments on the dancefloor.

dark funk for dirty minds! three new and raw box tracks by paul du lac (bio rhythm), who seems to be pushing his minimalistic jackin sound palette even further. we have the fierce and autistic-tantristic dirtyness of tantra master, the dance mania flavoured funk of childs play, and the deep strings of the bassline-driven spaces below, a classic chicago-inspired piece of work that seems to come from deep within.punchy and excellent dj tools.lo-fidelity, hi-energy.

back with a renewed energy and purpose, latino-flavored rappers cypress hill climbed back into the ring for another round in the fight for hip-hop supremacy on iv, an album which is as much at home with ghetto street-kids as it is with california surfers.
with right hand man sen dog back in the fold, it completes the circle that b real and dj muggs once drew as one of the most influential groups in rap. with this fourth album, cypress hill managed to hit the #11 spot on the billboard album charts and it was certified gold.

as the range, james hinton has released previously on astro nautico, alongside other such rhythmic alchemists as obey city (now signed to lucky me), time wharp and howse (now signed to tri angle) as well as appearing on remix duties for kuhn on the london based civil music label. outside of this moniker he released >cower<, a full length under the alias stegosaurus, on his own sqwal recordings imprint.
operating out of providence ri, james hinton fuses snapshots of global electronic music into a heady brew of deep sub bass, rattling footwork drums, juiced up junglism and dirty south rap beats. here we present the five track >disk< release, bristling with frenetic energy, complex percussion and cerebral melodies – >disk< is as suitable for the home as it is for the club and marks the latest evolution of the range sound.

two tracks of the transhumans. hypnotic and intense techno. energy and rawness in birminghams way. experimental noisy ambient finish this release.

the third ep on visky recordings is brought to you by a fresh and talented upcoming producer, dj and music lover hailing from grodno in belarus. schmoltz has had a long-term affair with music which got him to collecting records and fiddling with music making software and hardware. growing up as a metalhead kid, he came the disco route and later to be mesmerized by the soulful powerful funky and electric sounds of donna summer, gloria gaynor, stars on 45 and whatever else was to be found in the piles of soviet melodiya records. schmoltz delivered three great jazzy, deep & soulful tracks for his debut 12 inch on czech based visky recordings. on top of that the b side offers a remix from ferrispark label head scott ferguson. scott gave to raindrops a totally different feel and energy in a way of his own.

a shuffling mix of acoustic guitar riffs, licks, natural percussion and of course razs well known melancholic vocal lines all come together to generate a country folk feeling of the 60s. a dampened kick drives the energy deep and harmonicas seep into our minds and set our soul on fire. a fresh track for a hot summer day on the lake. acid pauli takes the track and acidizes it by adding, yep, acid lines and a very direct kick. the track gains more of a main time vibe, heightened energy and deeper bass allow this track to hold its own in a variety of set styles. the final mix is an open air anthem delivered from the sorry entertainers m. rux and lotti. using percussion of the same natural flavor and incorporating dirty synth lines, the two produce a heavier mix worthy of both dancefloors and home listening.

spring 2012, in his dark analog moustache records homestudio downtown rotterdam city david vunk made his bowie ep. this energizing ep contains 3 various styled tracks for the dancefloor. on the this side the track forever always a stunning filter house tune with a vocal that goes on and on, a fat party break and rolling low kickdrums topped with some crazy hihat programming. deep deep deep! 45 rpm rolling. on the that side two tracks. a notorious full power hi energy nu-disco/electro track filled with evil strings, catchy melody, tr-808 drums and arp odyssey baseline madness called disco sysex. the b2 track called vroezenpark sounds like it comes straight from hell, a dusty techno track with berlin infleunces, tr-909 drums and a roland jupiter 8 synth. insane and paranoia style. this very limited pressing comes with luxury gatefold fullcolour sleeve, poster and hand numbered, limited copies.

inspired by the energy, the sunshine and the people on the white isle, olderic returns to bring the ibiza heat to area remote by going loco with the latino loop, letting it flow and widen across spicy rhythms and vocal melodies

making their vinyl debut – swings & roundabouts are taking a trip down nostalgia street with a sublime reworking of the classic todd terry & armando >100% of dissin u< track from 88.... widely considered as one of the standout releases from the chicago acid house scene, one of today’s heavyweight’s dj spen works his magic on the track, keeping in the feel & sounds of the original whilst using his trademark beats as the backdrop! alongside spens hump, the original version goes all out disco taking things in a different direction with bags of energy!

we abandon an old >dimension of the anger< and go to the new >dimension of happiness< all tracks written & produced by key ym, no milk, rondenion

deep floors vol. 1 is the first installment of a various artists series, combining the dancefloor energy and the mental deepness of proper techno. volume 1 delivers 4 deep techno tracks by irelands lee holman, swedens pehr genlogue, italys roberto bosco and belgiums searle. sonically the release ranges from mental cerebral trips to deeper detroitish grooves. lee holman and roberto bosco deliver two hypnotic mindfuck tools while perh genlogue and searle dive more into deeper stripped techno.

vinyl only! enjoy! with successful releases on various labels like highgrade records and diynamic music, markus homm s remixes ep on unike musik, follows up with 4 re-touches of his latest work for the label. new york s mexican leo leal & guadalajara s own adrian garza team up for an international collaboration on homm s key frame. the duo s dripping acid inspired remix reverberates dark bass sounds and pops in filtered doses of dreamy pads on top of glimmering effects. &#8232,,,,,next the french legend, chris carrier, takes over remix duties for homm s keyframe signal, a soaring infusion of polished analog sounds and spunky tech percussion. the greek producer, turned londoner, alex celler, supplies a stunning rendition of take off, as bumping bass and tonal toms ignite this widely deep mover and shaker. 8bit s carlos sanchez polishes off the release with his take on what do they want, attracting fans of tougher sounds from the days of vinyl and stomping underground. &#8232,,,,,homm s dedication and impact has inspired a multi faceted ep with remixes that continue this notorious producer s legacy through a wide array of deep energy. &#8232,,,,,

the debut-album of kroman celik is definitely a must have in the record-bag of every serious techno-dj. 8 brilliant tracks full of dark and pumping energy make this album one of the true highlights of this year so far! this is techno made in italy at its very best!

killer techno!! gag reflex is one of those tracks that tears down the walls youll find yourself fist pumping to this one day at some obscure techno party! influences of early 90 s detroit techno all the way up to darkest & sweatiest corner in the berghain. gag reflex is a distorted throbbing stab heavy work out. the bottom end rolls along while the crashing hi hats juxtapose to create a sense of havoc. essential techno tool! on the flip angry dragon focuses its energy on the synth work. the overlaying 909 claps adds more aural pleasure rounding off the package in proper form. issued in limited hand stamped form - vinyl only!

qepo is back with a really cool release from the young talent gianluca luisi, 2 super energy tracks and on the b side a huge remix from neapolitan duo tony matt & sasha carassi..

steve bug drops a new outstanding 12inch on his own highly prolific poker flat recordings. those grooves is the perfect primer for his upcoming album (due out in autumn 2012), and sees the man in fine form - masterfully in control of his sound and producing tracks with a depth of dancefloor knowledge most other producers would die for. those grooves, the lead track locks into its exquisitely crafted groove early on, holding a taut balance between its individual elements. mid way through its 10 minutes, bug drops the tempo and lets the groove breath, before bringing it all back home - an audacious late night club weapon. the flip side is no less dramatic – tell me why creeps up, evolving slowing but surely – before an edgy, freaked out bass line drops over the crisp drums. a true peak time burner with enough energy and tension to smash any floor.

here it is, the follow up to pirahnheads nrtvnrg ep. the ngtvnrg ep (3eep-109) brilliantly channelled pent-up negitive energy into killer dance tracks, so the sxulnrg ep brilliantly channels sexual energy into killer grooves and words. over two pirahnahead grooves, first goddesstephanie and then mona bode deliver meditations on sex, music and dancing.

energy loaded raw techno anthems. kawl them bombs! next installment of the killer kawl series by lee holman brings four menacing tracks of dark edgytechno. kawl 4.0 opens the ep with a looping percussion piece which builds and builds with concussive intent. 4.1 continues with a solid groove, rasping synth stabs and a grotty industrial technoid bassline to devestating effect. kawl 4.2 takes a different route and rhythmically changes direction back and forth, intensifying with precision as the track meanders through to conclusion. the final track of the ep is 4.3, a deeper affair with bursts of white noise, a murky bassline and an emotive hypnotic lead line captivating its way to stunning completion.

full pupp helps another new outfit into the saddle. even though esteemed norwegian dj ole martin vilberg aka omar v and robin craaford, one half of dance disorder with baby g (bpitch, eskimo) are hardly young guns, they gang up together for the first time on complete: a blinding cut that harks back to the time with good ol jack was still the young buck and closely associated with uncle electro funk: tough beats, hyperactive claps, a jittering bass and a catchy, squeaking melody are still rattling bones if masterfully pieced together as it is done here. the guy most closely related to the italo sound out of the whole norwegian disco bunch chucks the more intricate original rhythm but goes hypertechnicolor and widescreen on the synth parts boosting up the originals melody, throwing in a nod to happy station and a hi-energy bassline.

as one half of the iconic house music duo h foundation and a revered producer and dj in his own right, halo needs no introduction. his surface imprint promises to deliver deep electronic music that retains a classic feel and its maiden release is just that. marascos >cloudy< is heavy set house music with an irresistible hypnotic quality. a rock steady bottom end drives the drum track as percussive elements and tribalesque vocals drop in and out of the mix. highly functional dancefloor material. on remix duties the legendary dj sneak adds his trademark infectious energy to proceedings, inserting a funky basssline and jackin percussion to great effect. halos surface remix showcases his production prowess with heavy processing on the vocals and percussion resulting in an organic rolling tech house work-out. rounding off the ep danilo vigorito provides a brooding tech house take on >cloudy< that will cater for the more discerning floors. surface begins as it means to go on.

vinyl only! dark droning, energy loaded and straight bumping cutz! first limited pressing comes in handnumbered, transparent green vinyl. handstemped artwork.

2012 repress !!! patrik skoog kak agaric isnt only one of the youngest veteran tech­no and house producers from sweden, he is also one of the most interesting and inspired. though incredibly versatile, the sustained energy in his sets and productions are equally exceptional. in the last two years, agaric established the club tracks 10 inch series on his label we are. besides his own stellar productions, collaborations with close friends shonky, waker bernard, ed davenport, and beaner have also graced the club tracks series. international support came from leading djs like richie hawtin, seth troxler, loco dice, ben klock, luciano, joris voorn, magda, laurent garnier, sven väth, and adam beyer.

bonar bradberry is a name you wont forget in a hurry. one of the new breed who marry the snappy energy of house with the weight of disco beats, his productions have recently piqued the interest of andrew weatherall among others.

when the house music phenomenon was beginning, chicago djs like ron hardy and new yorkers such as frankie knuckles and larry levan would edit records for their own purposes, removing the parts they felt to be superfluous, concentrating instead on extending grooves and hooks, often adding their own basic synth lines and toughening up the percussion with what have now become classic synthesizers and drum machines. warehouse classics vol.1 holds 4 killer tracks going from obscure disco to new wave, first popularised at the music box and rarely heard anywhere else. sir leon greg (another incarnation of perseus traxx) jams out then reinforces some edits of forgotten classics with a raw & personal analogue treatment for a devastating full effect on the dance floor, that is a far cry from the proliferation of over-produced squeaky-clean software edits. these are basic, raw ideas thrown down quickly and capturing the energy on 1/4 inch tape before moving on to the next set of sounds. musically, its as delightfully funky and uncomplicated as youd expect, a mesh of disco tracks and heavy, effect laden, machine-funk. essential item!!

sleep ds bacon ep is the next offering from sydneys excellent death strobe imprint. sleep d are a couple of young cats from melbourne, the production duo are sure to be an integral part of the deep house explosion coming from their city, spearheaded by the likes of tornado wallace, fantastic man and the melbourne deepcast crew. the record has a range of flavours all tied together by a fundamental warmth and soulfulness. the title track flows and floats in a dreamlike state, whilst simultaneously nailing the groove from beat one. bubbles vs the cat takes it up a notch, entering the club realm with rich bass and tight rhythms. their remix of chet fakers love & feeling is certain to give any dance floor a collective orgasm, oozing an erotic strangeness as it heaves and thrusts away, while ischa has a tickle of techno thrown into the mix and, despite its druggy sedation, has a hidden energy for dancing feet. one limited pressing.

a freshly minted london label, clueplants mission is to push twisted, imaginative techno with a raw analogue energy and a futuristic approach to sound design.the first release showcases a balance of two distinctly individual and intoxicating tunes which have seen enthusiastic reception on the dancefloor and radio while doing the rounds as dubplates. the a side hosts a powerful chunk of modern techno energetically played live and is the first release from london producer 12&bit, a perverse hardware purist whose vinyl and live sets have thumped out at teknivals aross europe and seen over 2 million downloads of his played-live techno through the open-source audio globular music library. on the b side the perversity is taken a step further by the infamous bulgarian electro deviant, manasyt. following 11 years of quality vinyl output on prolific labels such as kommando 6, touchin bass and bunker, the balaclava-clad nomad manasyt has set up his studio in the techno capitals of the world, berlin, london and detroit, and is now in china pumping out his trademark brutal and forward-thinking industrial techno for clueplant

this is the debut vinyl release from up & coming producer jim morton. the 12 inch presents two different flavours of the jungle sound. the a side is nyc-dub, a heavy duty track with plenty of pace and energy. an atmospheric vibe is present but the production still carries enough weight with the beats and sub to work the dance floor. think ray keith meets breakage!
on side b, >underwater chord< is again a jungle bass tune but on a different vibe. it is a brighter sounding track, due to the chords and sounds used, which wouldnt be out of place in a liquid style production. with both tracks there is a tip of the cap towards the old skool sound.

the byrds were one of the earliest groups who could combine the best of two worlds. they caught on to the energy of the british invasion and combined it with the lyricism & musical elements of the contemporary folk movement.
along the way they pioneered psychedelic and country rock, always keeping things recognizable with their vocal harmonies accompanied by their jangly guitars.
on their third album >fifth dimension< from 1966 they started showing a more lsd-tinged side of themselves with the psychedelic rock of songs such as >eight miles high< and >i see you< and a preference for the indian raga.
one of their most pioneering albums re-issued on 180 grams audiophile vinyl!

supported by:jamie jones, benoit&sergio, ellen allien, groove armada, maya jane coles, catz n dogz, ben westbeech, sinden, dop, till von sein, deetron, marcin czubala, t.williams and others your mamas friend is back again to tempt us with the forbidden fruit of sleazy beats and warm rounded baselines. to date its been a fully polish affair, with viadrina and chmara winter joining label boss marcin czubala in providing the goods. today its another debutant, but this time were leaving the labels homeland as we head to the uk to meet a star on the rise, resketch.ste burnetts diverse musical range in both his dj sets and productions,find him falling somewhere within the swampy bass realm of house, garage and disco. his own productions have been described as having a unique and infectious energy thats driven by a bouncing sub-bass. a perfect fit for your mamas friend wouldnt you say? the no district label chief delivers a trio of treats in the form of his bound in binary ep

apartments 3rd release comes courtesy of acclaimed producer lerosa. for this, his first release of 2012, he delivers 4 electro-based cuts, a rarely seen side to the man predominantly known for his house productions. the sparse and melancholic combat starts off proceedings, before titaniums throbbing bass, combined with mr. rosas unique melodic sensibilities, increases the pace. on the b-side slavery is a furious acid jam, constantly rising in energy over hectic percussion and a wall-shaking electro beat. finishing on decisions, the pace is reduced considerably while the acid stays intact, delivering the 12 inchs only 4/4 kick for what is lerosas most euphoric cut to date.

>ufabulum< ist wie ein schritt vorwärts in die vergangenheit! tom jenkinson aka squarepusher konzentriert sich auf die essenz seines musikalischen credos und liefert harten, elektronischen ravesound ab, pur und dynamisch, voller bässe, schnellen breakbeats und synthmelodien, wie in seinen anfangstagen. diesen kombiniert er - dank videosynthesizer - mit einer imposanten neuen lightshow, die teils auf der grossen led-wand hinter ihm, und teils auf dem display seines helmes, der jetzt zu seinem festen inventar gehört, abläuft. mit dieser audiovisuellen neuen konzeption spricht der querschläger nicht nur seine ursprünglichen fans, sondern auch die neue electrogeneration an, die verstärkt auf seinen konzerten zu sichten ist.
>ufabulum< erscheint als vinyl-boxset mit phosphorierendem cover inkl. 2x12 inch lp, der ep/cd sowie download-code.

second in a series of releases based on capturing the energy and culture of uk pirate radio but going way beyond that as the project unwinds. limited press. the eagle-eyed amongst you may have spotted which celebrated producer is behind this excellent, killer two-tracker - he has had releases out on planet e, hot flush and phonica too!

part 2/3! deep house – uh killer?! dear gorge just like we know him. hardly anyone puts so much energy into a yet so low key appearing track and this is what we love him for. gorge was a history witness for our biggest light installation and the most oppulent feast, as is his right. certified ass-shaking tune with a joyous organ going hand in hand with a female vocal. there is no more to say about this track as it speaks for itself. reminiscing igors 10 minute intro in combat gear at the treibgut deluxe. some push did jonas put into this few minute collaboration track with mz sunday luv. it has to be loud, it has to run – it has to take its place on this compilation. homebased in frankfurt jonas was so fond of hannover at a time that he almost moved north. but we could not afford the hotel room for such a long time. deep house making you get rid of your jacket and shake your hips together. get yourself a drink at the bar and head for the dancefloor. nicely smooth this track is driving you into the night. the only night we actually had champagne and still could all make it to the train to hamburg in the morning.

the german band the audience was founded in 2003 in nürnberg and released their first album >celluloid< on the cult independent-label hazelwood in 2007. soon after the five-piece was signed by one of the biggest german booking agencies fkp-scorpio, which sent them on tour throughout europe where they proofed to be one of germanys most incredible and exciting live acts. their current album >hearts< was recorded in a big music hall over the period of one year. the aim was to catch both energy and emotions of an authentic live-on-stage situation. the recordings document the audiences most intense, dynamic and sophisticated moments, without losing their very own feeling for catchy melodies.

cut mistake music was conceived somewhere between the day dream induced soundscapes of my bloody valentines loveless on the western seaboard of ireland and the haze filled manic energy of new york city dance floors. loosely associated with a collective of new york based musicians our aim is true and our message clear, we want to bring our landscapes to the ears of those who are willing to listen. this first release comes from the hearts & minds of the label founder cnnr (connor whiriskey) and good friends no regular play (nicholas debruyn & greg paulus).